UCR Today article by Mojgan Sherkat on this year’s Emory Elliott Book Award winner, Professor Anthea Kraut
“It is truly an honor to be recognized in this way by my own colleagues at UCR,” Kraut said. “I’m also very fortunate in that I got to benefit from Emory’s mentorship while he was still with us, and I’m so moved to play a role in carrying on his formidable legacy.”
About the book
“Choreographing Copyright” is a new historical and cultural analysis of U.S. dance-makers’ investment in intellectual property rights. The book reconstructs efforts to win copyright protection for choreography and shows how dancers have embraced intellectual property rights as a means to both consolidate and contest racial and gender power.
Drawing on legal studies, critical race studies, gender studies, American dance history, and cultural studies of copyright, and through a series of case studies, Kraut offers fresh insight into the power dynamics of authorship and ownership in dance in the United States from the late 19th century to the early 21st century.