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Muriel Miguel

(Kuna/Rappahannock)

 

Muriel Miguel is Kuna and Rappahannock. She is a founding member and Artistic Director of Spiderwoman Theater, the longest running Native American feminist theater group in North America , touring internationally for 28 years.

 

Last summer, she was the Program Director for The Aboriginal Dance Program at The Banff Centre where she choreographed Throw Away Kids in 1999 and most recently created a new choreography, She Knew She Was She. She has directed for Nightwood Theatre in Toronto.and in the fall of 2002, directed The Scrubbing Project at Factory Theatre with Turtle Gals Performance Ensemble.

 

Muriel was an original member of Joseph Chaikan's Open Theatre, one of the leading alternative theatre groups in New York in the 60’s.She studied modern dance with Alwin Nickolai at the Henry Street Playhouse and is the co-founder of the Thunderbird American Indian Dancers in New York City.

 

She originated the role of Philomena Moosetail in the Rez Sisters ;also, Aunt Shadie in The Unnatural and Accidental Women for The Firehall Arts Centre in Vancouver and Spirit Woman in Bones: An Aboriginal Dance Opera at the Banff Centre 2001 Summer Festival. Muriel has also been the creator of two one woman shows, Hot' N' Soft and Trail of the Otter. In March 2003,she was the first Lipinsky resident at San Diego State University Womens’ Studies Department where she wrote and presented the first draft of her new one woman show, Red Mother.

 

Muriel was an assistant professor of drama at Bard College for four years. She teaches on an ongoing basis at the Centre for Indigenous Theatre in Toronto and taught at the Aboriginal Arts Program at The Banff Centre for the last 7 years. She has developed four shows for The Minnesota Native American AIDS Task Force working with inner city native youth on HIV/AIDS issues.

 

In 1998, Muriel was selected for the Bread and Roses International Native Women of Hope poster.  She has also been awarded an honorary Doctorate in Fine Arts from Miami University in Oxford, Ohio, the site of the Native Women's Playwrights' Archives. In 2002, she received a Fleck Fellowship in the Arts from the Banff Centre to complete work on Persistence of Memory, Spiderwoman Theater’s latest show.


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This event is sponsored by the Ford Foundation, the University of California Humanities Research Institute, and the UCR Center for Ideas and Society.  For further information regarding this, or any event sponsored by the Center for Ideas and Society, please contact The Center for Ideas and Society at (909) 787-3987 or visit our website at http://ideasandsociety.ucr.edu.

Last Update: 03/22/2004
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